I searched high and low for two photographs that might connect the two volumes, and settled on a pair of sunrise and sunset photographs that would do the trick - as long as I did not bury them too deeply in the other elements. These two photographs would form my backgrounds.
The foreground would consist of the title, by-line and elements taken from the covers of short stories to be incorporated in each volume. When I had a look at these, I realized there were too many for each book to be represented, so I took a small selection and added them in.
The first cover had the sunrise photograph as the background. This was taken by Greta van der Rol, and my only regret was that I could not use it as a whole, or make it the centre piece. The background on the cover does it no justice. Check it out; you'll see what I mean.
The covers I had to select elements from were as follows:
These were all short stories released individually last year, and now collected in the annual work release. I couldn't take elements from them all, but you can see which ones were chosen. I still find the cover a little "busy", but the genres covered are well represented, and the mixture of genre is clearly portrayed.
The white-letter branding provided a couple of challenges, which were answered using Gimp's Hue Saturation tool, and I'll do a separate post on that. Except for the background, all artwork and photography for the different elements was sourced at Dreamstime, and artists and photographers represented here are as follows:
Beach background © 2014
Greta van der Rol
Flying pigs © 2013
Rechitan Sorin at Dreamstime
Fairy © 2013 Algol at
Dreamstime
Ground pig © 2013
Yuriy Zelenen’kyy at Dreamstime
Fire © 2013
Surassawadee at Dreamstime
Techno-head © 2013 Lightslab at
Dreamstime
All manipulation, or mis-manipulation, is mine.
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